#Classic tv theme songs movie
The movie – based on the Truman Capote book about the gruesome murder of the Clutter family in rural Holcomb, Kansas, by two ex-convicts – is as unrelentingly menacing and dark as the story itself. All smooth jazz grooves and rollicking vibes and gorgeous orchestrations, it’s a nice summation of the talents Jones acquired as a jazz music student in Paris in the late 1950s. With its languid orchestrations, breezy strings, and airy samba rhythms, this is a perfect Sunday morning record.įrom the same year as The Deadly Affair, at only 26 minutes this soundtrack may be short on time but not quality. This soundtrack to the Sidney Lumet thriller starts off with Astrud Gilberto drizzling her best desultory vocal over ‘Who Needs Forever’, which creates a moody atmosphere that is sustained throughout the entire album. He’s released more than a dozen of them, many from the late ‘60s and early ‘70s (although he was still doing quite well with them into the 1980s, including the score to The Color Purple, a movie that he also co-produced. All in all, his personal shelf of Grammy awards holds 27 of those trophies, the second most of any artist.īut for me, my favourite are Quincy’s soundtracks. But his best-known (and selling) work was his collaboration in the 1980s with Michael Jackson, with whom Jones produced Off the Wall, Thriller and Bad, as well as gathering together the superstar super-session that was ‘We Are the World’. In the 1970s, Jones turned to pop with Smackwater Jack and funk/soul on Body Heat. He finished off the decade with the joyful strut of Walking in Space. Soon, as a trumpeter, he was performing with Lionel Hampton and Dizzy Gillespie, before releasing his first album in 1956, This Is How I Feel About Jazz.įrom that time on, Jones released dozens of records, such as 1961’s The Quintessence, a succinct collection of swinging tracks featuring trumpeter Freddie Hubbard and pianist Bobby Scott. Jones began his career in the early 1950s as an arranger, working with the likes of Tommy Dorsey and Cannonball Adderly. A quick fire introduction to the soundtracks of ubiquitous bandleader and super star pop producer Quincy Jones from six incredibly productive years between 19.įrom big band to bossa nova, from bebop to hip-hop, Qunicy Jones has done it all – not just on his own, but also with some of the biggest names in music, including Frank Sinatra, Count Basie, Ray Charles, and Miles Davis.
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